Improvising Life: A Conversation with Shanan Custer
Shanan Custer is a writer, actor, teaching artist, director as well as an improviser in the Twin Cities. Her original works includes: 2 Sugars, Room for Cream, (with Carolyn Pool) which won an Ivey Award for Best Ensemble in 2013; Mick Sterling Presents: At Christmas (with Jim Robinson); and From Here to Maternity (with Joshua Scrimshaw). Shanan has performed, directed and improvised all over the Twin Cities and can currently be seen performing in The Mysterious Old Radio Listening Society presented by the James J. Hill Center.
How did you begin your entrepreneurial artistic career?
Shortly after I went to graduate school and started working at the Brave New Workshop as an actor/writer I began to create my own work. It felt right–more right than anything I had ever done before.
What has been the largest hurdle and / or success you have experienced as an artist and entrepreneur?
My largest success would be that I am still creating and producing after all of the highs and lows. The largest hurdle would be anything that distracts me from writing, which includes but is not limited to Netflix, books and wine!
How do you manage being a creative entrepreneur and what advice would you give to other entrepreneurs?
One word: resilience. Nothing will ever be perfect, every project will require you to bend and flex and and there will always be people who want to change what you do–for good or worse, but it’s still a challenge. I’ve been told that my shows “don’t fit in a tidy box” and once had a producer tell me that “two women” onstage wasn’t going to sell tickets. I believed otherwise, so I knocked on the next door and the next. If you can keep moving forward in the midst of these kinds of challenges, then you are in the right place!
You do a ton of improvisation – how did this come to be and how has it shaped your career?Improvisation changed my life. I was more classically trained as an actor and so I never experienced the form until I started working in theater professionally, but once I did it changed how I performed and wrote as well as how I approached my personal life. The first time I improvised was in an audition for the Brave New Workshop and the rest as they say is history. I love the form and the improv community in the Twin Cities is so vibrant and is growing so fast–it’s really exciting!
What is it about Minnesota and how has it managed to keep you here?
The Twin Cities has proven time and again to be a wonderfully supportive community for so many artists. I can have a life here outside of my work and still feel free to take risks artistically. The landscape of the cities changes enough to keep me invested and I feel like I am challenged to keep up. I also really, really love snow! Please don’t hold it against me.
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